CD dédicacé signé Deborah Harry Blondie - DVD LP populaire

Name: CD dédicacé signé Deborah Harry Blondie - DVD LP populaire
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CD dédicacé signé Deborah Harry Blondie - DVD LP populaire, CD dédicacé signé Deborah Harry Blondie - DVD LP remise

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Product Name: CD dédicacé signé Deborah Harry Blondie - DVD LP populaire
État：Très bon état Release Title：No exit Artist：Deb Blondie Deborah Harry Format：CD populaire

No Exit (song)
From Wikipedia, the free encyclopedia
This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (July 2013)
"No Exit"
Single by Blondie
from the album No Exit
Released October 22, 1999
Format CD, 12" Single
Recorded 1998
Genre Pop rock, rap rock
Length 4:18
Label Beyond Records
Writer(s) Deborah Harry
Chris Stein
Jimmy Destri
Coolio
Romy Ashby
Producer(s) Craig Leon
Blondie singles chronology
"Nothing Is Real but the Girl"
(1999) "No Exit"
(1999) "Good Boys"
(2003)
Music sample
No Exit
Menu
0:00

"No Exit" is a song by the American new wave band Blondie. It was the title track from their seventh studio album in 1999 and was released as a single in Europe, but not the US.
Contents

1 Overview
2 Uses in other media
3 Track listing
4 References

Overview

A rap/rock song,[1] "No Exit" features rapper Coolio exchanging raps with Debbie Harry. It also uses an interpolation of Johann Sebastian Bachs "Toccata and Fugue in D minor" and Edvard Griegs "In the Hall of the Mountain King".

The single was released in the UK as a special tour souvenir CD. The released CD contains remixes of "No Exit", "Maria", "Nothing Is Real but the Girl" and a cover of Karen Youngs 1978 disco hit "Hot Shot".

A video was released for one of the "No Exit" remixes, which also featured rappers Inspectah Deck, U-God of Wu-Tang Clan, Havoc and Prodigy of Mobb Deep as "The Loud Allstars".
Uses in other media

The Loud Allstar Rock Remix was featured in the 1999 film 200 Cigarettes.
Track listing

All tracks are written by Debbie Harry, Chris Stein, Jimmy Destri, Coolio, Romy Ashby unless otherwise noted

EU CD

"No Exit" (The Loud Rock Remix Radio Version) - 4:26
"No Exit" (The Infamous Hip Rock Version Radio Version) -3:21
"No Exit" (Album Version) - 4:19

UK Exclusive Tour Souvenir CD

"No Exit" (The Loud Rock Remix Radio Version) - 4:26
"No Exit" (The Infamous Hip Rock Version Radio Version) - 3:21
"Maria" (J & B Mix) (Destri) - 4:51
"Maria" (Talvin Singh Rhythmic Mix) (Destri) - 4:51
"Nothing Is Real but the Girl" (DT Edit) (Destri) - 3:13
"Hot Shot" (Andrew Kahn, Kurt Borusiewicz) - 3:46

US 12" (promo only)

"No Exit" (The Loud Rock Remix) Radio Version - 3:56
"No Exit" (AMA Performance Version) Radio Version - 4:26
"No Exit" (The Loud Rock Remix) TV Track - 5:12
"Whos Gonna Cry" (No Exit Pt. 2, The Infamous Hip Rock Version) Radio Version - 3:21
"Whos Gonna Cry" (No Exit Pt. 2, The Infamous Hip Rock Version) Instrumental - 3:24
"Maria (Talvin Singh Rhythmic Radio Edit) (Destri) - 4:39

References

"The Comeback Story That Wasn't: Blondie's 1999 "No Exit" CD Revisited". Billcopelandmusicnews.com. 2010-09-28. Retrieved 2013-07-08.

[hide]

v
t
e

Blondie

Debbie Harry
Chris Stein
Clem Burke
Leigh Foxx
Matt Katz-Bohen
Tommy Kessler

Fred Smith
Billy OConnor
Gary Valentine
Frank Infante
Nigel Harrison
Kevin Patrick
Jimmy Destri
Paul Carbonara

Studio albums

Blondie
Plastic Letters
Parallel Lines
Eat to the Beat
Autoamerican
The Hunter
No Exit
The Curse of Blondie
Panic of Girls
Ghosts of Download

Compilations

The Best of Blondie
The Complete Picture: The Very Best of Deborah Harry and Blondie
Blonde and Beyond
The Platinum Collection
Denis
Picture This – The Essential Blondie Collection
Atomic: The Very Best of Blondie
Greatest Hits
Greatest Hits: Sight + Sound
Greatest Hits Deluxe Redux

Live albums

Picture This Live
Live
Live by Request

Remix albums

Once More into the Bleach
Beautiful: The Remix Album
Remixed Remade Remodeled: The Remix Project

Singles
Blondie

"X Offender"
"In the Flesh"
"Rip Her to Shreds"

Plastic Letters

"Denis"
"(Im Always Touched by Your) Presence, Dear"

Parallel Lines

"Picture This"
"Im Gonna Love You Too"
"Hanging on the Telephone"
"Heart of Glass"
"Sunday Girl"
"One Way or Another"

Eat to the Beat

"Dreaming"
"Union City Blue"
"The Hardest Part"
"Atomic"

American Gigolo soundtrack

"Call Me"

A Nightmare on Elm Street 4 soundtrack

"Rip Her to Shreds"

Autoamerican

"The Tide Is High"
"Rapture"

The Hunter

"Island of Lost Souls"
"War Child"

No Exit

"Maria"
"Nothing Is Real but the Girl"
"No Exit"

The Curse of Blondie

"Good Boys"

Panic of Girls

"Mother"
"What I Heard"

Ghosts of Download

"A Rose by Any Name"
"Sugar on the Side"
"I Want to Drag You Around"
"Make a Way"
"Rave"
"Relax"

Videos

Eat to the Beat
The Best of Blondie
The Complete Picture: The Very Best of Deborah Harry and Blondie
Live
Greatesst Video Hits
Live by Request

Tours

"Tracks Across America Tour 1982"
"No Exit Tour 1998-1999"
"Camp Funtime Tour 2002"
"Road Rage Tour 2006"
"Parallel Lines 30th Anniversary Tour 2008"
"Call Me Invincible Tour (With Pat Benatar) 2009"
"Panic of Girls Tour 2011"
"Blast Off Tour 2013"
"No Principals Tour 2013"

Related
Articles

Discography
New wave music

Labels

Chrysalis Records
Epic Records
Private Stock Records
Sanctuary Records Group
Eleven Seven Records

Bands

The Wind in the Willows
The Jazz Passengers

Albums and songs

American Gigolo soundtrack
A Nightmare on Elm Street 4: The Dream Master soundtrack

Blondie (band)
From Wikipedia, the free encyclopedia
Blondie
Blondie1977.jpg
Blondie in 1977. L-R: Gary Valentine, Clem Burke, Debbie Harry, Chris Stein, and Jimmy Destri.
Background information
Origin New York City, New York, U.S.
Genres

New wave
punk rock

Years active 1974–1982
1997–present
Labels

Private Stock
Chrysalis
EMI
Beyond
BMG
Epic
Sanctuary
Eleven Seven

Associated acts

The Wind in the Willows
The Jazz Passengers

Website blondie.net

Members Debbie Harry
Chris Stein
Clem Burke
Leigh Foxx
Matt Katz-Bohen
Tommy Kessler

Past members See: Former members

Blondie is an American rock band founded by singer Debbie Harry and guitarist Chris Stein.[1] The band was a pioneer in the early American new wave and punk scenes of the mid-late 1970s. Its first two albums contained strong elements of these genres, and although successful in the United Kingdom and Australia, Blondie was regarded as an underground band in the United States until the release of Parallel Lines in 1978. Over the next three years, the band achieved several hit singles[2] including "Call Me", "Atomic" and "Heart of Glass" and became noted for its eclectic mix of musical styles incorporating elements of disco,[3][4] pop,[3][4][5] rap,[4][6] and reggae,[4] while retaining a basic style as a new wave band.[7]

Blondie broke up after the release of its sixth studio album The Hunter in 1982. Debbie Harry continued to pursue a solo career with varied results after taking a few years off to care for partner Chris Stein, who was diagnosed with pemphigus, a rare autoimmune disease of the skin.[8]

The band re-formed in 1997, achieving renewed success and a number one single in the United Kingdom with "Maria" in 1999, exactly 20 years after their first UK No.1 single ("Heart of Glass").

The group toured and performed throughout the world[9] during the following years, and was inducted into the Rock and Roll Hall of Fame in 2006.[10] Blondie has sold 50 million records worldwide[11][12] and is still active today. The bands ninth studio album, Panic of Girls, was released in 2011,[13] and their tenth, Ghosts of Download, was released in 2014.
Contents

1 History
1.1 Early career (1974–78)
1.2 Mainstream success (1978–81)
1.3 Hiatus, The Hunter, and breakup (1981–82)
1.4 Re-formation and No Exit (1997–2007)
1.5 Parallel Lines 30th Anniversary Tour and Panic of Girls (2008–2012)
1.6 Ghosts of Download (2013-present)
2 Style and legacy
3 Members
3.1 Current members
3.2 Former members
3.3 Timeline
4 Discography
5 Awards and nominations
6 See also
7 Notes and references
8 External links

History
Early career (1974–78)

Inspired by the burgeoning new music scene at the Mercer Arts Center, Chris Stein sought to join a similar band. He joined the Stillettoes in 1973 as their guitarist and formed a romantic relationship with one of the bands vocalists, Debbie Harry, a former waitress and Playboy Bunny.[14] Harry had been a member of a folk-rock band, the Wind in the Willows, in the late 1960s. In July 1974, Stein and Harry parted ways with the Stillettoes and Elda Gentile, the bands originator, forming a new band with ex-Stillettoes bandmates Billy OConnor (drums; born October 4, 1953, Germany, died March 29, 2015)[15] and Fred Smith (bass). Originally billed as Angel and the Snake[16] for two shows in August 1974, they renamed themselves "Blondie" by October 1974. The name derived from comments made by truck drivers who catcalled "Hey, Blondie" to Harry as they drove by.[17][18]

By the spring of 1975, after some personnel turnover (including Ivan Kral on guitar and sisters Tish and Snooky Bellomo on backing vocals), Stein and Harry were joined by drummer Clem Burke, and bass player Gary Valentine. Blondie became regular performers at Maxs Kansas City and CBGB.[19] To fill out their sound, they recruited keyboard player Jimmy Destri in November 1975. The band signed with Private Stock Records and their debut album, Blondie, was issued in December 1976 but was initially not a commercial success. In September 1977, the band bought back its contract with Private Stock and then signed with Chrysalis Records.[20] The first album was re-released on the new label in October 1977. Rolling Stones review of the debut album observed the eclectic nature of the groups music, comparing it to Phil Spector and the Who, and commented that the albums two strengths were Richard Gottehrers production and the persona of Debbie Harry. The publication said she performed with "utter aplomb and involvement throughout: even when shes portraying a character consummately obnoxious and spaced-out, there is a wink of awareness that is comforting and amusing yet never condescending." It also noted that Harry was the "possessor of a bombshell zombies voice that can sound dreamily seductive and woodenly Mansonite within the same song".[21]

The bands first commercial success occurred in Australia in 1977, when the music television program Countdown mistakenly played their video "In the Flesh", which was the B-side of their then current single "X-Offender".[10] Jimmy Destri later credited the shows Molly Meldrum for their initial success, commenting that "we still thank him to this day" for playing the wrong song.[22] In a 1998 interview, drummer Clem Burke recalled seeing the episode in which the wrong song was played, but he and Chris Stein suggested that it may have been a deliberate subterfuge on the part of Meldrum. Stein asserted that "X-Offender" was "too crazy and aggressive [to become a hit]", while "In the Flesh" was "not representative of any punk sensibility. Over the years, Ive thought they probably played both things but liked one better. Thats all." In retrospect, Burke described "In the Flesh" as "a forerunner to the power ballad".[23]

The single reached number 1 in Australia, while the album reached the Australian top twenty in October 1977, and a subsequent double-A release of "X-Offender" and "Rip Her to Shreds" was also popular. A successful Australian tour followed in December, though it was marred by an incident in Brisbane when disappointed fans almost rioted after Harry cancelled a performance due to illness.[24]

In February 1978, Blondie released their second album, Plastic Letters (UK No. 10, US No. 78, Australia No. 64). The album was recorded as a four-piece as Gary Valentine had left the band in mid 1977.[25] Plastic Letters was promoted extensively throughout Europe and Asia by Chrysalis Records.[10] The albums first single, "Denis", was a cover version of Randy and the Rainbows 1963 hit. It reached number two on the British singles charts, while both the album and its second single, "(Im Always Touched by Your) Presence, Dear", reached the British top ten. Chart success, along with a successful 1978 UK tour, including a gig at Londons Roundhouse, made Blondie one of the first American new wave bands to achieve mainstream success in the United Kingdom.[10] By this time, Gary Valentine had been replaced by Frank Infante (guitar, bass guitar), and shortly after that Nigel Harrison (bass guitar) joined, expanding the band to a six-piece for the first time and thus allowing Infante to switch to guitar. The bands line-up had stabilized.
Mainstream success (1978–81)

Blondies third album, Parallel Lines (UK No. 1, US No. 6, Australia No. 2), was released in September 1978. Produced by Mike Chapman, it finally broke the band into the American market on the strength of the worldwide hit single “Heart of Glass". Parallel Lines became the groups most successful album, selling 20 million copies worldwide.[26] The albums first two singles were "Picture This" (UK No. 12) and "Hanging on the Telephone" (UK No. 5). Because the biggest hit from Blondies previous album Plastic Letters was "Denis", a cover of Randy & The Rainbows 1963 song "Denise", Chrysalis Records chose Buddy Hollys "Im Gonna Love You Too" as the lead single from Parallel Lines in the U.S. This turned out to be a miscalculation as the single failed to chart. The song was eventually released as a single in a few other countries in 1979.

"Heart of Glass" was released in early 1979 and the disco-infused[3][4] track topped the UK charts in February 1979 and the U.S. charts in April 1979. It was a reworking of a rock and reggae-influenced song that the group had performed since its formation in the mid 70s, updated with strong elements of disco music. Clem Burke later said the revamped version was inspired partly by Kraftwerk and partly by the Bee Gees "Stayin Alive", whose drum beat Burke tried to emulate. He and Stein gave Jimmy Destri much of the credit for the final result, noting that Destris appreciation of technology had led him to introduce synthesizers and to rework the keyboard sections.[27] Although some critics condemned Blondie for "selling out" by doing disco, the song became a monumental worldwide success and became one of the biggest selling singles of 1979. The song was accompanied by a music video filmed at a club in New York City (incorrectly surmised as being Studio 54, due to an exterior shot there preceding the interior video). The music video showcased Harrys hard-edged and playfully sexual character, as well as her famously stiff marginally disinterested persona.[28] She began to attain a celebrity status that set her apart from the other band members, who were largely ignored by the media.

Blondies next single in the U.S. was a more aggressive rock song, "One Way or Another" (US No. 24), though in the UK, an alternate single choice, "Sunday Girl", became a No. 1 hit. Parallel Lines is ranked No. 140 on Rolling Stones list of 500 greatest albums of all time.[29] In June 1979, Blondie, photographed by Annie Leibovitz, was featured on the cover of Rolling Stone magazine.[30]

Blondies fourth album, Eat to the Beat (UK No. 1, US No. 17, Australia No. 9), was released in October 1979. Though well received by critics as a suitable follow-up to Parallel Lines, the album and its singles failed to achieve the same level of success in the U.S.,[10] whilst in the UK where the album delivered three Top 20 hits including the bands third UK number one ("Atomic", UK No. 1, US No. 39). The lead track off the album, "Dreaming", narrowly missed the top spot in the UK, but only made 27 in the U.S. "Union City Blue" (UK No. 13) was not released in the U.S. in favor of the track "The Hardest Part".[10] In a daring move, Chrysalis Records Linda Carhart asked Jon Roseman Productions US division to shoot videos for every song and make it the first ever video album. David Mallet directed and Paul Flattery produced it at various locations and studios in and around New York.

Blondies next single, the Grammy-nominated "Call Me" was the result of Debbie Harrys collaboration with the Italian songwriter and producer Giorgio Moroder, who had been responsible for Donna Summers biggest hits. The track was recorded as the title theme of the Richard Gere film American Gigolo. Released in February 1980 in the US, "Call Me" spent six consecutive weeks at No. 1 in the U.S. and Canada, reached No. 1 in the U.K. (where it was released in April 1980) and became a hit throughout the world. The single was also No. 1 on Billboard magazines 1980 year-end chart. In the summer of 1980, the band appeared in a bit part in the film Roadie starring Meatloaf. Blondie performed the Johnny Cash song, "Ring of Fire". The live recording was featured on the film soundtrack, and on a later CD reissue of the Eat to the Beat album.

In November 1980, Blondies fifth studio album, Autoamerican (UK No. 3, US No. 7, Australia No. 8) was released and contained two more No. 1 US hits: the reggae-styled "The Tide Is High", a cover version of a 1967 song by the Paragons, and the rap-flavored[4] "Rapture", which was the first song featuring rapping to reach number one in the U.S.[26] In the song Harry mentions downtown graffiti and hip hop icon Fab Five Freddy who also appears in the video for the song. Autoamerican was a departure from previous Blondie records, featuring less new wave and rock in favor of stylistic experiments, including acoustic jazz ("Faces"), and "Follow Me" (from the Broadway show "Camelot"). As the title somewhat suggested, a recurring general theme of the album was the car as a subject; obvious for example in the song "T-Birds", referring to the Ford Thunderbird, and Harrys monologue near end of the mostly instrumental track "Europa". The album went on to achieve platinum success in both the United States and the United Kingdom.
Hiatus, The Hunter, and breakup (1981–82)

Following their success of 1978-80, Blondie took a brief break in 1981. That year, Debbie Harry and Jimmy Destri both released solo albums; Stein worked on Harrys album KooKoo (UK No. 6, US No. 28) and Burke with Destris Heart on a Wall.[31] Harry, Stein and Destri also worked together on music for the 1981 John Waters film Polyester. Frank Infante sued the band regarding a lack of involvement during the Autoamerican sessions; it was settled out of court, and Infante remained in the band (though Harry has subsequently said Infante was not on the next LP, despite appearing on the front cover). Around this time Harry also was cultivating an acting career that included a high-profile appearance in 1980s Roadie and later David Cronenbergs Videodrome in 1982.

In October 1981, Chrysalis Records released The Best of Blondie (UK No. 4, US No. 30, Australia No. 1), the groups first greatest hits compilation. The band reconvened in late 1981 to record a new album, The Hunter, released in May 1982 (UK No. 9, US No. 33, Australia No. 15). In contrast to their earlier commercial and critical successes, The Hunter was poorly received. The album did have two moderate hit singles: "Island of Lost Souls" (UK# 11, US, No. 37, Australia No. 13) and "War Child" (UK No. 39).[32][33] The album also included "For Your Eyes Only", a track the band had been commissioned to write and record for the 1981 James Bond film of the same name, but was rejected by the films producers (the producers ultimately chose another song that would be recorded by Sheena Easton).

With tensions within the band on the rise due to the acts commercial decline and the attendant financial pressures that brought, as well as the constant press focus on Harry to the exclusion of the other band members, events reached a breaking point when Stein was diagnosed with the life-threatening illness pemphigus.[34]

As a result of Steins illness, coupled with drug use by members of the band, financial mismanagement, and slow concert ticket sales, Blondie canceled their tour plans early in August 1982. Shortly thereafter, the band broke up, with at least one (unspecified) member quitting and instigating lawsuits against the other group members. The bands breakup was announced publicly in November 1982.[35]

Stein and Harry, still a couple at the time, stayed together and retreated from the public spotlight for a while. Harry made attempts to resume her solo career in the mid-1980s, but two singles (1983s "Rush Rush" and 1985s "Feel The Spin") met with little success. Harry was forced to sell the couples five-story mansion to pay off debts that the band had run up, Stein owed in excess of $1 million, and drug use was becoming an increasing concern for them. Harry decided to call off her intimate relationship with Stein and moved downtown. She stated in a 2006 interview that she felt she was having a sort of breakdown due to all the stress. After Stein recovered from his illness, Harry resumed her solo career with the new album Rockbird in 1986, with active participation from Stein (although Harry also recorded the song "Rush Rush" for the soundtrack to the motion picture Scarface in 1983). The album was a moderate success in the UK where it gave her a top ten single and reached Gold certification. Meanwhile, Burke became a much-in-demand session drummer, playing and touring for a time with Eurythmics, and Destri maintained an active career as a producer and session musician.

A remix album entitled Once More into the Bleach was released in 1988, and featured remixes of classic Blondie tracks and material from Harrys solo career.
Re-formation and No Exit (1997–2007)

During the 1980s and 1990s, Blondies past work began to be recognized again by a new generation of fans and artists including Garbage and No Doubt.[27][36] Chrysalis/EMI Records also released several compilations and collections of remixed versions of some of its biggest hits.

Harry continued her moderately successful solo career after the band broke up, releasing albums in 1989 and 1993 which helped keep the band in the public eye. In 1990, she reunited with Stein and Burke for a summer tour of mid-sized venues, as part of an "Escape from New York" package with Jerry Harrison, the Tom Tom Club and the Ramones.

In 1996, Stein and Harry began the process of reuniting Blondie and contacted original members Burke, Destri, and Valentine. Valentine had by this time moved to London and become a full-time writer under his real name Gary Lachman; his New York Rocker: My Life in the Blank Generation (2002) is a memoir of his years with the band.[37] Former members Nigel Harrison and Frank Infante did not participate in the reunion, and they unsuccessfully sued to prevent the reunion under the name Blondie.[38]

In 1997, the original five-piece band re-formed, including Valentine on bass, and did three live performances, all at outdoor festivals sponsored by local radio stations. Their first reunion performance occurred on May 31, 1997, when they played the HFStival at R.F.K. Stadium in Washington, DC.[39] An international tour in late 1998 and early 1999 followed.[40] During this period, they released a cover of Iggy Pops song "Ordinary Bummer" on the tribute album We Will Fall: The Iggy Pop Tribute (1997) under the pseudonym "Adolphs Dog".[41]

A new album, No Exit (UK No. 3, US No. 18), was released in February 1999. The band was now officially a four-piece, consisting of Harry, Stein, Burke and Destri. Valentine by this point had left the group, and did not play on the album or contribute to the writing of any songs (two songs on the album co-authored by "Valentine" were in fact co-authored by Kathy Valentine of the Go-Gos, no relation to Gary Valentine). Session musicians Leigh Foxx (bass) and Paul Carbonara (guitar) played on this and subsequent Blondie releases.[42]

No Exit reached number three on the UK charts, and the first single, "Maria", which Destri had written thinking about his high school days,[43] became Blondies sixth UK number one single exactly 20 years after their first chart-topper, "Heart of Glass". This gave the band the distinction of being one of only two American acts to reach number one in the UK singles charts in the 1970s, 1980s and 1990s (the other being Michael Jackson who had No. 1 hits with the Jacksons and solo in the same decades).

Collecting since 60s, in bands since 70s, working for EV & now 60, wife says time to leave my precious collection of thousands of items hobby to another b4 other in my family must:( Our & 2 rentals full;) ALL items got in person or thru dealers thru MANY years:)...

See other items for sale:) For +$1 each add to 1st, Will combine ALL buys within 3 weeks to 1 pkg.
See my FB. ALL items have warranty IF not happy return for refund.

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CD dédicacé signé Deborah Harry Blondie - DVD LP populaire

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